Richard Colman

by Thursday, September 26, 2013

Richard’s work demonstrates a unique language drawing on the intricacies of an Indian Miniature, to the antiquity of the more abstract and symbolic nature of Byzantine art. Colman’s patterns have the repetition and geometry associated with Islamic tiles and mosaics.

Narratives depict day-glo orgies, fusing the sinister with the comical. A pantheon of internalized imagery and shared iconography comes into play in the shape of occult symbols, silhouettes, and rainbow sprays of color, piles of viscera, in a concoction of violence and ecstasy.

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