Pure Evil

by Wednesday, July 30, 2014



PURE EVIL resides within the Dark Sciences of the Art world, nestled neatly somewhere between graffiti and Brit Shock. He assassinates popular iconography, dosing it with political satire and populating it with infamous despots and dictators.






The ideas tread a fine line between the subversive and the nerdy and in doing so create a comfortable stage from which he snowballs his audience with highly charged critiques on the state of both World affairs and other intergalactical issues concerning Alderon and Hoth. Not shy of confrontation he embraces the chance to shock.




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